‘POMPEII: OUT OF TIME WITH TOM HIDDLESTON’ PREMIERES TODAY!

‘POMPEII: OUT OF TIME WITH TOM HIDDLESTON’ premieres today on National Geographic, featuring Hair + Make-Up Design by echo’s Martin McClean and Personal Styling by echo’s Oliver Cronk for Tom Hiddleston and the featured experts.

Directed by Tom Barbor-Might and produced by Plimsoll Productions for Disney+ and National Geographic, the documentary-drama follows Tom Hiddleston as he uncovers hidden stories of everyday life in one of history’s most famous ancient cities.

@‌martmcclean @oh.cronk @‌natgeo @disneyplus

FIRST LOOK FOR ‘UP TO NO GOOD’ OUT NOW FEATURING WORK BY OLIVER CRONK AND JOHN DWELLY BFE!

We’re thrilled to share the first look at ‘UP TO NO GOOD’, featuring Costume Design by echo’s Oliver Cronk and Editing by echo’s John Dwelly BFE on episodes 1, 2, 5 and 6.

Directed by Lee Haven Jones and produced by Sony, Channel 4 and Playground Entertainment, the six-part drama is based on Helene Tursten’s short story collections ‘An Elderly Lady Is Up to No Good’ and stars Glenn Close as Maud Oldcastle.

VOGUE SPOTLIGHTS COSTUME DESIGN BY OLIVER CRONK ON ‘THE NIGHT MANAGER’!

Such a joy to see Vogue spotlight the work of echo’s Costume Designer Oliver Cronk on ‘THE NIGHT MANAGER’ Season 2, with a focus on Camila Morrone’s standout wardrobe as Roxana Bolaños.

The the article explores costume as both power and armour, from refined, understated tailoring to the now-iconic Versace red gown designed for maximum impact. Referencing Versace, Khaite, The Row and Colombian designer Johanna Ortiz, the wardrobe reflects Roxana’s authority, glamour and international lifestyle.

The article is still available to read online via Vogue.

OLIVER CRONK DISCUSSES COSTUME DESIGN FOR 'THE NIGHT MANAGER' SEASON 2 IN TELEGRAPH INTERVIEW!

As the spy thriller returns, echo’s Costume Designer Oliver Cronk speaks to the Telegraph about his approach to the protagonists' wardrobe for 'THE NIGHT MANAGER' Season 2.

Directed by Georgi Banks-Davies and produced by The Ink Factory for the BBC, the costume in the new season builds on the show’s distinctive visual identity.